See therefore in the whole series and connection of thy thoughts, that thou be careful to prevent whatsoever is idle and impertinent: but especially, whatsoever is curious and malicious: and thou must use thyself to think only of such things, of which if a man upon a sudden should ask thee, what it is that thou art now thinking, thou mayest answer This, and That, freely and boldly, that so by thy thoughts it may presently appear that in all thee is sincere, and peaceable; as becometh one that is made for society, and regards not pleasures, nor gives way to any voluptuous imaginations at all: free from all contentiousness, envy, and suspicion, and from whatsoever else thou wouldest blush to confess thy thoughts were set upon.

The ambitious supposeth another man's act, praise and applause, to be his own happiness; the voluptuous his own sense and feeling; but he that is wise, his own action.

Thou wilt never cease groaning and complaining, until such time as that, what pleasure is unto the voluptuous, be unto thee, to do in everything that presents itself, whatsoever may be done conformably and agreeably to the proper constitution of man, or, to man as he is a man.

The Grisettes, Parisian cabaret girls, make a grand entrance, led by the voluptuous ZoZo.

A later letter to Lamoureux, from Cadiz, dated 25 October (in Spanish) has Chabrier writing that on his return to Paris he would compose an 'extraordinary fantasia' which would incite the audience to a pitch of excitement, and that even Lamoureux would be obliged to hug the orchestral leader in his arms, so voluptuous would be his melodies.

The examples of Indian high reliefs can be found in Khajuraho temple, that displaying voluptuous twisting figures that often describes the erotic Kamasutra positions.

After winning the Best Collaboration Awards for "Crazy in Love" at the 2004 BET Awards, Beyoncé dedicated the award to the show's host, comedian Mo'Nique, who parodied the choreography from the "Crazy in Love" video with six equally voluptuous female dancers.

Artists in France frequently debated the contrasting merits of Peter Paul Rubens with his the Flemish baroque, voluptuous lines and colors to Nicolas Poussin with his rational control, proportion, Roman classicism.