Maidens and modesty, as I have said, wandered at will alone and unattended, without fear of insult from lawlessness or libertine assault, and if they were undone it was of their own will and pleasure.

By flattering no irregular passion, it gains few partizans: By opposing so many vices and follies, it raises to itself abundance of enemies, who stigmatize it as libertine profane, and irreligious.

Here the relater was also cotemporary to the supposed prodigy, of an incredulous and libertine character, as well as of great genius; the miracle of so _singular_ a nature as could scarcely admit of a counterfeit, and the witnesses very numerous, and all of them, in a manner, spectators of the fact, to which they gave their testimony.

What could I think--what DID I think--but that you were a young libertine in everything but experience, and had fallen into hands that had experience enough, and could manage you (having the fancy) for your own good?

Yet perhaps the virtue of those reverend sages was too strict for the corrupt and libertine manners of a court: and we often find by experience, that young men are too opinionated and volatile to be guided by the sober dictates of their seniors.

Helen Gardner's "Metaphysical Poets" anthology, published in 1957, contained work by many more writers, including 'proto-metaphysical' poets such as William Shakespeare and Sir Walter Raleigh, and even poems by the Restoration libertine the Earl of Rochester.

Her father did not return his wife's affections; instead, he lived as a libertine, engaging in numerous love affairs with members of both sexes.

It also highlights Fielding's belief in the relationship of morality and libertine beliefs and introduces character types that Fielding would use throughout his plays and novels.

Morality and moral characters was an important concern within Fielding's works, and his first play serves as a representation for Fielding's believes surrounding the relationship between morality and libertine beliefs that is found throughout his work.

However, his use of libertine themes and characters served as a way for those like Pat Rogers to believe that Fielding lacked an orthodox understanding of Christianity; he believes that Fielding was harsh towards hypocrisy but not against other actions.

The necessity of even that defence, however, is usually negated by his libertine belief in privilege.

Similarly, Potter organised the plays by a general theme of developing libertine characters and believed that "Fielding's most successful group of plays followed "Love in Several Masques" both chronologically and thematically.

Comedies and burlesques such as "The Author's Farce", "The Tragedy of Tragedies", "The Old Debauchees", and "Pasquin" made Fielding the most popular playwright of the 1730s, and all of these plays contain characters, situations, and dialogues that invoke libertine philosophy in some way, thought they vary in the explicitness of the depiction."

As a result, Deathwish released a 7" single featuring "Libertine Dissolves" and "Daedalus" in January 2011 and a full-length album with all-new material titled "Roads to Judah" in April 2011.

The most noteworthy of these are Lady Wouldbe in 'Volpone,' Mrs. Flareit in 'Love's Last Shift,' Lucy Lockit, Lady Haughty in the 'Silent Woman,' Doll Common, Mrs. Termagant in the 'Squire of Alsatia,' Pert, Mrs. Foresight, Berinthia in the 'Relapse,' Araminta, and afterwards Belinda, in the 'Old Bachelor,' Lady Anne, Duchess of York in 'King Richard III,' Angelica in 'Love for Love,' Lady Macduff, Anne Boleyn, Leonora in the 'Libertine,' Mrs. Sullen, Monimia, Desdemona, Rosalind, Viola in 'Twelfth Night,' and Nerissa in the 'Merchant of Venice.'

Similarly, "The Observer" newspaper gave the album positive reviews, stating that the album said "goodbye to Pete Libertine the Rehab King, and say hello to Peter Doherty, outstanding singer-songwriter and charismatic poet-vagabond.